Alma Tadema's Oil Paintings
	Alma Tadema Museum 8 January 1836 – 25 June 1912. Most renowned painters.
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Here are all the paintings of Joseph Mallord William Turner 06

ID	Painting	Oil Pantings, Sorted from A to Z	Painting Description
41351		THe Grand Canal	mk161 Oil on canvas
90970		The Grand Canal - Scene - A Street In Venice	1837(1837) Medium oil on canvas Dimensions 148 x 111 cm (58.3 x 43.7 in) cyf
55017		The grave	mk239 1909 Oil on canvas 71.5x98cm
54895		The Gril Read to the boy	mk238 1832 Watercolour 13.8x18.9cm
31833		The harbor of dieppe	mk76 Dated 1826 Oil on canvas 68 3/8x88 3/4in
52755		The Lake	mk223 Oil on canvas
54827		The morning	mk238 1798 Oil on canvas 123x89.7cm
24479		The passage of Mount St.Gothard,taken from the centre of the Teufels Broch Switzerland (mk31)	1804 Watercolour 98.5x68.5cm
3222		The Passage of the St.Gothard	1804 Abbot Hall Art Gallery, Kendal, Cumbria
55086		The picture with White line	mk239 1913 Watercolour
89159		The Ponte Delle Torri, Spoleto	c. 1840(1840) Medium oil on canvas Dimensions Height: 914 cm (359.8 in). Width: 1,219 cm (479.9 in). cjr
24487		The Righting (Temeraire),tugged to her last berth to be broken up (mk31)	1838 Oil on canvas 91x122cm
21774		The Saint Gotthard Pass (mk10)	Around 1803-1804 Oil on canvas 80.6 x 64.2 cm Birmingham,City Museum and Art Gallery
55136		The shape of black	mk239 1923 Oil on canvas 110x97cm
24462		The Shipwreck (mk31)	1805 Oil on canvas 170.5x241.5cm
61216		The shipwreck of the Minotaur,	The shipwreck of the Minotaur, oil on canvas.
3233		The Slave Ship	1840 National Gallery, London
42758		The slave ship	MK169 1840 Oileverf on cloth 90.8x122.6cm Museum or Finn Physician. Boston
21769		The Slave Ship (mk10)	1840 Oil on canvas 91.5 x 122 cm Boston,Museum of Fine Arts Henry Lillie Pierce Fund
24493		The Sun of Venice going to sea (mk31)	1843 Oil on canvas 61.5x92cm
54856		The supper after harvest	mk238 1809 Oil on canvas 90.2x121cm
89140		The Thames above Waterloo Bridge	c. 1830(1830) Medium oil on canvas Dimensions Height: 905 cm (356.3 in). Width: 121 cm (47.6 in). cjr
89139		The Thames near Walton Bridges	1805(1805) Medium oil on mahogany Dimensions Height: 371 cm (146.1 in). Width: 737 cm (290.2 in). cjr
54918		The town	mk238 1828 Watercolour 14x18.6cm
54834		The tree at the edge of lake	mk238 1800 Oil on canvas 39.1x60.6cm
55135		The triangle with black	mk239 1923 Watercolour 30.8x40.5cm
55027		The view with stock	mk239 1909 Oil on canvas 72.3x97.5cm
55075		The Watercolour with roses	mk239 1911-1912 Oil on canvas 48.3x63.5cm
54972		Theatre	mk238 1833-1840 Watercolour 22.6x29.4cm
40685		THed Burning of the Houses of Lords and Commons,16 October,1834	mk156 c.1835 Oil on canvas 91x122cm
55186		Three arrowhead	mk239 1931
55069		Three knight	mk239 1910-1911 Watercolour 25x32cm
55065		Three Wagon	mk239 1911 Oil on canvas 70x100cm
54880		Tiwoli	mk238 1819 watercolour 25.6x40.4cm
55026		Train	mk239 1909 Oil on canvas 36x49cm
55013		Trees and houses	mk239 1908 Oil on board 71.5x97.5cm
90187		Trees beside the River, with Bridge in the Middle Distance	c. 1806(1806) Medium oil on canvas Dimensions Height: 879 cm (346.1 in). Width: 1,206 cm (474.8 in). cjr
54928		Tunalu	mk238 1832 Watercolour 28.2x24cm
55138		Turn of the left	mk239 1923 Watercolour 42.5x47.5cm
61221		Turner 1813 watercolour, Ivy Bridge	Turner's 1813 watercolour, Ivy Bridge
55131		Two black	mk239 1923 Watercolour 47.5x32.7cm
54825		Two Fisher	mk238 1796-1797 Watercolour 19.8x27.5cm
55195		Two part	mk239 1940 Oil on canvas 89x116cm
55156		Two sawtooth	mk239 1925 31.6x48.6cm
55164		Two sawtooth line	mk239 1926 Watercolour 31.6x48.6cm
3218		Ulysses Deriding Polyphemus	1829 National Gallery, London
92110		Ulysses deriding Polyphemus	1829(1829) Medium oil on canvas Dimensions 132.7 X 203 cm (52.2 X 79.9 in) cyf
55070		Under the sunlight	mk239 1911 30.6x40.3cm
24497		Undine giving the ring to Masaniello,fisherman of Naples (mk31)	1846 Oil on canva 79x79cm
43983		Undine Giving the Ring to Massaniello, Fisherman of Naples	1846 Oil on canvas, 79 x 79 cm
89692		Union of the Thames and Isis	oil on canvas Dimensions Height: 908 cm (357.5 in). Width: 1,213 cm (477.6 in). cjr
55150		Unstable	mk239 1924 29.7x25.7cm
26145		UpnorCastle,Kent (mk47)	1831-32 Watercolour and bodycolour 290x437mm Whitworth Art Gallery. University of Manchester
43311		Uysses Deriding Polyphemus	mk170 1829 Oil on canvas 132.7x203.2cm
90198		Venedig	2nd quarter of 19th century Medium oil on canvas Dimensions 91 x 122 cm cjr
3239		Venetian Festival	1845 Tate Gallery, London
24485		Venice,from the Lagoon (mk31)	1840 Watercolour and pen 23x30.5cm
54884		Venus	mk238 1819 Watercolour 22.4x28.7cm
54977		Venus	mk238 1840 Watercolour 24.5x30.9cm
54932		View	mk238 1832 Watercolour 29x47cm
54945		View	mk238 1835-1840 Oil on canvas 94x123cm
55092		View and edge	mk239 1913 Watercolour 27.6x38.1cm
21767		View of an Alpine Valley probably the Val d'Aosta (mk10)	Watercolour Private collection
54830		Village	mk238 1799 watercolour 19.5x27.2cm
54930		Village	mk238 1832 Watercolour
54942		Village	mk238 1836 24.2x29.8cm
55015		Village	mk239 Oil on canvas
54871		Volcano erupt	mk238 1817 Watercolour 28.6x39.7cm
54872		Volcano erupt	mk238 1815 Oil on canvas 79.4x104.8cm
89744		Walton Reach	c. 1807(1807) Medium Oil on canvas Dimensions 37 x 73,5 cm cjr
43980		War, the Exile and the Rock Limpet	1842 Oil on canvas, 79,5 x 79,5 cm
54860		Warship	mk238 1809 Oil on canvas 91.4x124.5cm
54935		Warship	mk238 1833 Oil on canvas
54967		Warship	mk238 1850 Oil on canvas 89.9x120.3cm
55061		Watercolour	mk239 1910-1912 21.6x33cm
55073		Watercolour	mk239 1911-1912 40.2x65.2cm
55074		Watercolour	mk239 1911-1912 20.7x42.8cm
55102		Watercolour	mk239 1916 Watercolour 23x34.5cm
54818		Waterworks	mk238 1794-1795 watercolor 29.8x41.9cm
54970		Wedding	mk238 1835 oil on canvas 91.4x121.9cm
55153		Weight during the light	mk239 1924 Watercolour
24496		Whalers (mk31)	1845 Oil on canvas 91xx22cm
24471		Whiby,Yorkshire (mk31)	1825-1830 Watercolour 15.9x24.8cm
55200		White line	mk239 1936 49.9x38.7cm
54886		Wind	mk238 1827 Oil on canvas 46.4x72.4cm
54888		Wind	mk238 1827 Oil on canvas
24473		Windsor Castle,Berkshire (mk31)	1827-1829 Watercolour 29x43cm
55066		Winter-s landscape	mk239 1911 95.3x102.4cm
91514		Wohnsitz des Earl of Darlington	1818(1818) Medium oil on canvas Dimensions 119 x 180,6 cm cyf
54900		Woman in the black	mk238 1832 Watercolour 19.5x13.8cm
55016		Woman in the street	mk239 1908 Oil on canvas 70x95cm
54521		Yacht Approaching the Coast	mk235 c.1838-1840 Oil on canvas
24488		Yacht approaching the coast (mk31)	Ca.1835-1840 Oil on canvas 102x142cm

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Joseph Mallord William Turner

English Romantic Painter, 1775-1851 Joseph Mallord William Turner (23 April 1775 ?C 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style is said to have laid the foundation for Impressionism. Although Turner was considered a controversial figure in his day, he is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." However, Turner was still recognised as an artistic genius: the influential English art critic John Ruskin described Turner as the artist who could most "stirringly and truthfully measure the moods of Nature." (Piper 321) Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires (such as the burning of Parliament in 1834, an event which Turner rushed to witness first-hand, and which he transcribed in a series of watercolour sketches), natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840). Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking and merry-making or working in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other hand. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God - a theme that artists and poets were exploring in this period. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena. Rain, Steam and Speed - The Great Western Railway painted (1844).His early works, such as Tintern Abbey (1795), stayed true to the traditions of English landscape. However, in Hannibal Crossing the Alps (1812), an emphasis on the destructive power of nature had already come into play. His distinctive style of painting, in which he used watercolour technique with oil paints, created lightness, fluency, and ephemeral atmospheric effects. (Piper 321) One popular story about Turner, though it likely has little basis in reality, states that he even had himself "tied to the mast of a ship in order to experience the drama" of the elements during a storm at sea. In his later years he used oils ever more transparently, and turned to an evocation of almost pure light by use of shimmering colour. A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable. The intensity of hue and interest in evanescent light not only placed Turner's work in the vanguard of English painting, but later exerted an influence upon art in France, as well; the Impressionists, particularly Claude Monet, carefully studied his techniques.

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